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| Photo by Paul Moody - Flickr |
“They say a poet
can never write a purely happy poem about a dog
greeting the sun and what it has done to rain.
I don’t know about that."
so writes Analicia Sotelo in her poem “Grace Among the Ferns”
Does that hold true for the two dogs who author (or are the voice) in these poems read by Billy Collins?
In talking about his poems, Collins says that putting a dog into a poem makes it harder to avoid the sentimental. The dog voices in "The Dog on His Master" and "The Revenant" seem to be able to do it, though neither is "purely happy."
I am the dog you put to sleep,as you like to call the needle of oblivion,come back to tell you this simple thing:I never liked you — not one bit.”
The dog in Mark Doty's, “Golden Retrievals” (from Sweet Machine) I imagine being his golden retriever, Beau, who he wrote about in Dog Years: A Memoir (P.S.) who along with his black lab partner, Arden, helped Mark through a very dark period in his life. Beau uses a sonnet form.
On their walk, the dog is full of joy and in the moment. But the poet?
"... Either you’re sunk in the past, half our walk,thinking of what you never can bring back,or else you’re off in some fog concerning—tomorrow, is that what you call it? My work:to unsnare time’s warp (and woof!), retrieving,my haze-headed friend, you. This shining bark,a Zen master’s bronzy gong, calls you here,entirely, now: bow-wow, bow-wow, bow-wow.
In "Grace Among the Ferns, "our model poem on the website for this month's prompt, the poet envies the dog. Grace, who like Beau in Doty's poem, finds delight in exploring the late spring ferns. The poet says:
"I am not sure I have ever had such a joy,either in discovery or expectation..."
from Poets Online Blog https://ift.tt/AShPiyt
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