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| Photo: Margarita Kochneva |
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| Image by MorningbirdPhoto from Pixabay |
I get a bit annoyed when I see online discussions about the "death of poetry" or "in defense of poetry." Sometimes those headlines are more clickbait than anything and end up talking about about the popularity and power of poetry. Still, it is annoying that poets and lovers of poetry feel a need to defend what they love because it is under attack.
Poetry as an oral art form likely predates written text. The earliest poetry is believed to have been recited or sung, as a way of remembering oral history, genealogy, and even law. Early writing shows clear traces of older oral traditions, including the use of repeated phrases as building blocks in larger poetic units. A rhythmic and repetitious form would make a long story easier to remember and retell, before writing was available as a reminder.
People still read ancient works, from the Vedas (1500 - 1000 BC) to the Odyssey (800 - 675 BC), which appear to have been composed in poetic form to aid memorization and oral transmission.
Poetry appears among the earliest records of most literate cultures, with poetic fragments found on early monoliths, runestones, and stelae.
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| Deluge tablet of the Gilgamesh epic, circa 2nd millennium BC. |
A 2015 article says that "Some people are still reading [poetry], although that number has been dropping steadily over the past two decades. In 1992, 17 percent of Americans had read a work of poetry at least once in the past year. 20 years later that number had fallen by more than half, to 6.7 percent." Jump to a 2018 NEA report which said that it seems to be more popular than ever. “Nearly 12 percent (11.7 percent) of adults read poetry in the last year, according to new data from the National Endowment for the Arts' 2017 Survey of Public Participation in the Arts (SPPA). That's 28 million adults.
On the defensive side, a Washington Post article with the headline "Poetry is going extinct government-data show" is actually saying that "Poetry is not dying, it is merely changing. Poetry is essential to human life. It allows us to convey our thoughts and emotions through beautiful, sometimes horrible, words."
Is poetry endangered? "Languages are dying at the rate of every two weeks. Of the 7,000 languages spoken in the world over half of these are endangered. By the end of the century half the world's current languages will be lost which will also mean the loss of unique poetic traditions." I don't put poetry in the endangered species category, but the UK "Endangered Poetry Project" is fighting extinction.
You can find a number of arguments that poetry is not dying, it is merely changing. So, why title this post "Poetry on the Offense"? The war in Ukraine was just the latest example of how poets go on the offense rather than in defense with their writing in hard times. Poetry gives voice to many things - personal and global.
A search on Ukraine + poetry + war turns up many examples of that.
Poetry I alive, well and in the world every day.
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| Photo: griffert | Pixabay |
There’s a growing body of evidence in the medical scientific literature to support the use of poetry and the arts in clinical practice – to enhance empathy, communication skills, and both patient and clinician wellbeing. I saw this in an article from the Irish Times by a doctor (unfortunately, the article requires a subscription) who admits that "As a medic, it took me a while to appreciate this." There's a special relationship between poetry and medicine, and great value that physicians, other healthcare professionals, and patients could derive from making better use of this art form.
I have been doing some research into this and considering it for a future writing prompt.It is not just writing poetry that can heal. I have seen studies that show that patients who read poetry together experience decreased pain and symptoms of depression.
Other studies found that poetry can sharpen listening, attentiveness, observation, and analytical skills. It can refine the artistic side of medicine: Poetry allows us to express ourselves, fosters creativity, and accepts ambiguity. It enhances empathy, self-awareness, and introspection.
There is a National Association for Poetry Therapy which is about the use of language, symbol, and story in therapeutic, educational, growth, and community-building capacities. It relies upon the use of poems, stories, song lyrics, imagery, and metaphor to facilitate personal growth, healing, and greater self-awareness.
I would not claim that poetry can heal physical ailments but writing and reading poetry can be healing and transformative because poems reflect the voice of the soul. Writing - poetry, journaling, memoir etc. - is a way to nurture a mindfulness practice because when writing (maybe especially with poems), we have the chance to unleash the unconscious mind.
Studies using MRIs show that poetry causes the part of the brain that activates during daydreaming to light up while reading or listening to poetry. It can "brighten" the brain and improve memory. Poetry often sticks with the reader, causing them to re-read and even memorize the words.
I ran a workshop for healthcare professionals a few years ago and found several books that were useful in preparing for the sessions.
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| Image by borislagosbarrera - Pixabay |
The word "august" means respected and impressive, as in "she was in august company." The calendar month was originally named Sextilis in Latin because it was the 6th month in the original ten-month Roman calendar, but it was renamed in honor of Emperor Augustus in 8 BC.
Lawrence Dunbar's poem "In August" is a listing of things he would do in the month.
When August days are hot an’ dry,
When burning copper is the sky,
I‘d rather fish than feast or fly
In airy realms serene and high.
I‘d take a suit not made for looks,
Some easily digested books,
Some flies, some lines, some bait, some hooks,
Then would I seek the bays and brooks...
For this call for submissions, we want poems that define the month of August through one thing.
"Blackberry-Picking" by Seamus Heaney focuses on one August thing and yet the poem ultimately is about this late part of summer when the berries, like summer, would end. He says "Each year I hoped they'd keep, knew they would not."
Late August, given heavy rain and sun
For a full week, the blackberries would ripen.
At first, just one, a glossy purple clot
Among others, red, green, hard as a knot.
This second call for submissions for our double July/August issue, asks you for a poem that defines August through one thing - an event, a word, a memory. For half the planet, it's the end of summer, but if you are submitting from the Southern Hemisphere you might send us a poem about August winter.
Because of our double-prompt/double-issue this summer, be sure to indicate in the subject line of your email for this prompt submission August.
Submissions will be accepted now through July 31.
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| Image by Antonios Ntoumas from Pixabay |
In America, it already started with Memorial Day weekend but it officially starts with a solstice which occurs when one of Earth's poles has its maximum tilt toward the Sun. Technically, the June solstice is the exact instant of time when the Sun is directly overhead the Tropic of Cancer. In 2022, this happens on June 21 at 09:13 UTC. For the Northern Hemisphere, we have maximum tilt so it is summer. In the Southern Hemisphere, it is conversely at minimum tilt and so it is winter.
I don't think I am alone in associating summer with the beach. I grew up in New Jersey where we go "down the shore" in the summer. I have been to the beach every summer of my life.
Poets often go to the beach in their poems. There are many. Some love the beach. But not all of the poets.
"Beaches. Why I Don’t Care For Them" says it quite clearly. That poem by Wanda Coleman talks about the associations she has with the beach.
years of being ashamed/my sometimes
fat, ordinary body. years later shame passed
left a sad aftertaste. mama threatening to beat me if i got
my hair wet. curses as she brushes the sand out, "it's gonna
break it off—it's gonna ruin your scalp."
or the tall blond haired gold/bronze-muscled
lifeguards who played with the little white ones but gawked at us like we were lepers...
For this summer prompt, we are looking for poems about summer at the beach. We are not so much thinking of poems like Matthew Arnold's "Dover Beach." They can be good or bad associations with the time and place. They can be poems that are not clearly either.
In our model poem, "Beachcomber," Stanley Moss recounts two summer beach encounters. One is not good or bad - just odd. The other experience is also odd but I would classify it as amazing.
Another time, washed up on a Montauk dune,
found a Chianti wine bottle
with a letter in it. I read to myself
a child’s handwriting: “Hello,
let’s make friends. Please call,” she gave her phone number...
Let's see what you find at the beach this summer.
Because of our double-prompt/ double-issue, be sure to indicate in the subject line of your email for this prompt submission summer beach.
Submissions will be accepted now through July 31
Like many other Americans, Poets Online is going to take some vacation time in June and July. Our June issue of poems in the voice of a dog will be followed by a double July/August issue. There will be two writing prompts this month and you may submit to one or both.
In these hazy, lazy days of summer, you'll have all of June and July to read, think and write and July 31 will be the submission deadline for both.
Enjoy the summer!
As we review poems submitted to the Poets Online monthly issues, we are always in receipt of poems that do not follow our submission guidelines. (see those at poetsonline.org/submit.html) There are very simple items (title in caps; subject line "submission"), technical ones (single-spaced plain text) and optional ones (do you want your name linked to an email or website). There are also ones that will eliminate your submission immediately, such as sending multiple poems, not addressing the current prompt or putting the poem as an attachment.
These are not unusual and every publisher has their own take on guidelines. Some publications are very strict about guidelines. We wouldn't reject a poem because the title was not in capital letters, but some publications would reject work that is in the wrong font or size.
The point is that you need to READ THE SUBMISSION GUIDELINES for every submission, and you should also look at what poems that publisher has used in the past.
I am part of a group that reads submissions for a print magazine and for a manuscript award. With manuscripts, the guidelines are more complex and more specific to the publisher. For example, they might want a short bio OR they might want no identifying information because the submissions are being read blind.
There are no guidelines that apply to all publishers, but if you are preparing your first manuscript, here are some general suggestions that might help you get the document in shape.
For poetry, single-spaced (with allowances for special typography and layout), each poem beginning on its own separate page in the manuscript;
Standard letter size (8.5 x 11") in portrait orientation and use Times, Arial or Helvetica at 12 pt. black font on white page background;
Most publishers want a Microsoft Word .doc or .docx. Some accept a .pdf or .rtf document.
You should have a cover/title page indicating the manuscript’s working title. Usually, that will also provide the author’s full name, residential address, and contact information (e-mail, perhaps a phone).
You might have acknowledgements page of places where some of the poems have been published before.
You need a Table of Contents listing the poem titles and page numbers. This might be the most difficult thing to set up in Word as publishers want page 1 to be the first poem and not the cover or any of the pages prior to the first poem. This can be very confusing to do. The sequential pagination is usually in the upper-right corner (document header) or in the footer. Some publishers ask for the header to include the author's last name and the manuscript title but, as noted earlier, another publisher may want no identifiers.
It seems like the majority of publishers are suing Submittable or an electronic submissions system. This can make things easier for poets and publisher but these services are rather costly (which is why the trying-to-stay-free Poets Online still uses old-fashioned email submissions). Submittable is free for an author to use because the cost is picked up by the publisher. But it's not always free to submit your poems. A submission fee to submit individual poems, manuscripts and enter contest has become almost standard. Fees I have seen recently range from $2 to $35. There are still free submission sites and those range from Poets Online to The New Yorker, Submittable allows you to filter sites that are still free, but those fees often support the actual publications (especially print publications) and awards or payments for acceptances and staff salaries.
One last general thing that really annoys a publisher - if you do simultaneous submissions and your work is accepted, be sure to notify the other publishers to withdraw your submission from consideration. I have been surprised and a bit angry about the number of poems we accepted for a print publication where the poet then told us it was previously accepted or even already published elsewhere! This is an easy to do courtesy. Some publishers have long memories for such indiscretions.
street wall collage - Photo:PxHere The cento is a poetry form that I used with students but that I haven't used myself o...
