23 Feb 2020

February Words


I was looking through some February poems and it was rather depressing. Most of them were filled with rather grim winter images.

"Afternoon In February" by Henry Wadsworth Longfellow starts out like this:

The day is ending,
The night is descending;
The marsh is frozen,
The river dead.

and I didn't want to go further.

Things are not much better in "February: The Boy Breughel" by Norman Dubie with its deadly nature imagery.

The birches stand in their beggar's row:
Each poor tree
Has had its wrists nearly
Torn from the clear sleeves of bone,
These icy trees
Are hanging by their thumbs...

And a fox crosses through snow
Down a hill; then, he runs,
He has overcome something white
Beside a white bush, he shakes
It twice, and as he turns
For the woods, the blood in the snow

There's only a brief line of hope because those poor tortured birch trees are "Under a sun / That will begin to heal them soon."



The only hopeful February poems I cam across concerned themselves with thinking beyond February.

Jane Kenyon was looking ahead in her "February: Thinking of Flowers"

Now wind torments the field,
Turning the white surface back
On itself, back and back on itself,
Like an animal licking a wound.

Nothing but white the air, the light;
Only one brown milkweed pod
Bobbing in the gully, smallest
Brown boat on the immense tide.

A single green sprouting thing
Would restore me...

Then think of the tall delphinium,
Swaying, or the bee when it comes
To the tongue of the burgundy lily.

I saw my first green sprouting things - crocuses and the tops of daffodils - this past week. It is a hopeful thing.

And Ted Kooser in his poem "Late February" must also have been thinking on one of those early warm days when:

...by mid-afternoon
the snow is no more
than a washing
strewn over the yards,
the bedding rolled in knots
and leaking water,
the white shirts lying
under the evergreens.

But it's a brief respite from winter, a false spring and:

by five o'clock
the chill of sundown,
darkness, the blue TVs
flashing like storms
in the picture windows,
the yards gone gray,
the wet dogs barking
at nothing.

And in his final lines, those hopeful green things of early spring take an unexpected and horrible turn.

Far off
across the cornfields
staked for streets and sewers,
the body of a farmer
missing since fall
will show up
in his garden tomorrow,
as unexpected
as a tulip

Oh February, "month of despair" as Margaret Atwood describes it "with a skewered heart in the centre," you need some optimism.

I think dire thoughts, and lust for French fries
with a splash of vinegar.
Cat, enough of your greedy whining
and your small pink bumhole.
Off my face! You're the life principle,
more or less, so get going
on a little optimism around here.
Get rid of death. Celebrate increase. Make it be spring.

 Yes!





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13 Feb 2020

A Robot Who Thinks She Is Emily Dickinson


You keep hearing that "the machines are coming" and taking over our jobs - and maybe our lives if you believe the worst-case scenarios.

You may have thought that poets were safe from the AI/robot/machine takeover, but programmers have been trying for at least a decade to get them to write poetry.

I had a conversation with some poet friends a few months ago about this topic. Though the feeling was that AI was not going t write any good poetry, we also thought that it might be difficult to determine if it is good or bad poetry.

All of us have read published poems that we thought were not good poems and maybe even questioned if they were poems at all. Differences of opinion.

An article on lithub.com states that "The Machines Are Coming and They Write Really Bad Poetry."

It's true that robots will ultimately be more lifelike. They will look more like us and sound more human and less robotic in their speech and writing.

The article gives several examples of AI-generated attempts, including ones in the styles of famous poems and poets. The machine was given a poem as its prompt to write.

Her is one that is supposed to be in the style of Emily Dickinson with the Emily prompt poem and the AI result.


The poems come from a program called GPT-2, a project of the San Francisco-based research firm OpenAI. Using that program, some people have compiled a collection of attempts by the AI to complete famous works of poetry and it became a chapbook, Transformer Poetry, published by Paper Gains Publishing (read online). You can read them and decide.

I don't think it's a totally serious project and I'm sure most readers here will say either that these are lousy poems or not poems at all, but it is an interesting experiment. GPT-2 was not built to be a poet, but the ultimate hope is that it would be able to learn how to predict the rest of a piece of incomplete text regardless of content or genre.

Maybe we should look at these poems in the way we look at the poems by new or young poets. Did the AI imitations (and almost every poet did some imitating at the beginning - it's how we - and computers - learn) understand diction, grammar, and syntax? Not bad. How about rhyme, meter, imagery and figurative language such as metaphor? Not good. But not so different from the way humans develop and use language, and the way first attempts at poetry turn out.

Am I praising these AI poems? No, but I do find the experiment interesting.

I think we poets are safe for now. But not forever.


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5 Feb 2020

Prompt: Time Passes

A Copernican calendar based on the Sun's movement through the seasons

Humans have many time-keeping traditions. Our calendars track the movement of the Sun or the Moon. You could have a celestial calendar that tracked the movement of the stars.

I suspect that some people might track the year based on the changing seasons. You might personally mark the new year on your birthday. After 40 years of teaching, it is difficult for me to not feel that September starts a new year. The way we mark time throughout a day or year is often personal despite the larger time-keeping that is supposed to organize time for us.

When I mentioned to another poet that I was thinking about using a writing prompt about keeping time, she said: "You mean like in music?" That was a natural way to view my prompt for her because she is a musician.

In Walt Whitman's "To Think of Time," his thoughts turn to questions all of us have had at some point.

To think of time—of all that retrospection!
To think of to-day, and the ages continued henceforward!

Have you guess'd you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear'd the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing?

In our model poem for this prompt titled "Time Passes," Joy Ladin personifies Time which seems to have as much trouble dealing with itself as we have dealing with it. I love that while the other three dimensions are sleeping, Time is sweating it out in the middle of the night and feeling lost.

Time too is afraid of passing, is riddled with holes
through which time feels itself leaking...
Time has lost every picture of itself as a child.
Now time is old, leathery and slow.
Can’t sneak up on anyone anymore...

All of our attempts to control time ultimately fail. Even the best calendars and clocks are off at some point. Laura Kasischke has a poem titled "The Time Machine" which suggests that long-wished-for-ability to go back or forward in time to somehow change the present.

My mother begged me: Please, please, study
stenography...
Without it
I would have no future, and this
is the future that was lost in time to me...

When I first read T.S. Eliot's "The Love Song of J. Alfred Prufrock," the image that stayed with me was of measuring a life with coffee spoons.

For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?


This month, we ask you to write a poem that measures the passing of time using some personal metric that may only be useful or relevant to you.


Deadline for submissions: February (Leap Year!) 29, 2020


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31 Jan 2020

Live in the Layers


Searching for poems this past week to use in our upcoming prompts, I came upon Stanley Kunitz's poem "The Layers." It is a poem I have read often and heard him read in person. It is a poem that invites multiple readings and - like Kunitz himself - "Though I lack the art / to decipher it" fully, I continue to try.

...In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
"Live in the layers,
not on the litter."
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.

I don't know that Stanley would have agreed with me, but the layers and litter of the poem always make me think of the garden and my compost pile. "Leaf litter" is the leaves, twigs and pieces of bark that have fallen to the ground and make up an important component of healthy soil. Stanley was well known for his gardening and I'm sure his compost pile was an important part of it. Compost is itself a place of transformation. There are creatures that live in the litter and the litter certainly encourages life and growth.

But that voice from the clouds advises not to live in the litter but in the layers.

Yesterday, I took the photo shown at the top of this post because it looked like the clouds were in layers. If the litter is the earth, then there are many layers above it going up into the sky and far beyond our own planet.

Listen to Stanley read the poem, and if you have your own interpretation, please post a comment here.









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28 Jan 2020

Opening Emily Dickinson


We know Emily's poems. Emily didn't write prose. No notebooks, journals or diaries. Well, wait - she wrote letters. Lots of them.

If you're looking for who Emily Dickinson really "is" I think you will find it in the letters - when you read them along with the poems.

I remember reading Emily's poems in high school. My impression of her (bolstered by that one sad photo) was of a hermit, virgin who had a sad life spent mostly in her room, house and garden. Poor little Em.

I didn't really like Emily's poems back then. I like them a lot more now, but that came through learning more about her. I know I'm not supposed to enjoy poems more because I like the poet, but that's what has happened. I seem to write a lot here about Emily and her writing.

There is more joy and life in her letters. She's not the lonely spinster in many of those letters. There is life, love and passion.


There are a number of collections of her letters including multi-volume sets like one facsimile set published by Forgotten Books and also shorter edited (and sometimes censored) selected letters.


The letters that interest me most - and are getting more attention lately - are ones to Susan. Those letters record a thirty-six year correspondence with her childhood friend and neighbor, Susan Gilbert, who would later be her sister-in-law, Susan Dickinson.

There is a good introduction to the Susan and Emily relationship in a post on BrainPickings. I read through the single volume collection of these letters titled Open Me Carefully. These are not censored and so offer a different Emily Dickinson and her letters (also some poems) to Sue, Susan, Susie.
Show me Eternity, and I will show you Memory —Both in one package lainAnd lifted back again —Be Sue — while I am Emily —Be next — what you have ever been — Infinity.


Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson  is a new book that shines a new light to Emily. Not a lonely spinster in her letters which are presented here without much commentary. They speak for themselves.

"... unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters' genre-defying form as the words unravel spectacularly down the original page." - Renee Tursi, The New York Times Book Review


There have been several modern screen versions of a more passionate Emily Dickinson. The latest one is an original on the new Apple+ channel called Dickinson. It is a historical period comedy-drama series that stars Hailee Steinfeld as Emily. It explores Emily's love for Susan Gilbert. The first season was released in November 2019 and a second season will follow.



In a letter to Susan:
I need you more and more, and the great world grows wider . . . every day you stay away — I miss my biggest heart; my own goes wandering round, and calls for Susie… Susie, forgive me Darling, for every word I say — my heart is full of you . . . yet when I seek to say to you something not for the world, words fail me… I shall grow more and more impatient until that dear day comes, for til now, I have only mourned for you; now I begin to hope for you.
Now, farewell, Susie . . . I add a kiss, shyly, lest there is somebody there! Don’t let them see, will you Susie?

And finally, in a mix of Emily's poems and letters, there are her poems written on envelopes which were finally published as The Gorgeous Nothings. This is a full-color facsimile edition of the envelope poems. There are 52 envelope poems.


                   

PHOTO USED ABOVE IN SECTIONS: Daguerreotype of Emily Dickinson taken at Mt. Holyoke in December 1847 or early 1848


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18 Jan 2020

Into the Glittering White Snow


Back in 2015, we based a writing prompt on the poem "Shoveling Snow With Buddha" by Billy Collins. It's snowing outside my window today and I was rereading that poem.

I like this Buddha being in a situation that's a bit odd. This is not a seated and meditative Buddha. And I don't think of Buddha in the snow - even though my garden Buddha is being covered with snow beside the St. Francis statue. They seem quite comfortable with each other. They don't seem to mind the cold and snow. They really enjoy it when I sprinkle birdseed around them and the little birds hop in the snow to eat.

When I head outside today to shovel some snow, I'd like to think that I can take Buddha with me. He's in my mind but he's not in my mind. Shoveling snow can certainly be an exercise in mindfulness.

I know from the poem not to talk to him out there.
This is so much better than a sermon in church,
I say out loud, but Buddha keeps on shoveling.
This is the true religion, the religion of snow,
and sunlight and winter geese barking in the sky,
I say, but he is too busy to hear me.

Why be quiet? Because:
He has thrown himself into shoveling snow
as if it were the purpose of existence,
as if the sign of a perfect life were a clear driveway
you could back the car down easily
and drive off into the vanities of the world
with a broken heater fan and a song on the radio.

Soon, outside to shovel snow with Buddha.  And then, with my boots dripping by the door, some hot chocolate.




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13 Jan 2020

Seduced By Statistics.

It is easy to be seduced by statistics. I know several friends who have websites and blogs and are rather obsessed with their web statistics. They are always checking to see how many hits the site gets or what pages or posts are most popular or what search terms are being used to find them. Social media has encouraged this with Likes and Retweets and Reposts. Our smartphones love to send us notifications that someone has engaged with some piece of our content.

I got this alert last month about this blog:


Your page is trending up
Your page clicks increased by more than 1,000% over the usual daily average of less than 1 click.
Possible explanations for this trend could be:
  • Modifications you did to your page's content.
  • Increased interest in a trending topic covered by the page.
Of course, I am happy that people found this post from 2010 and are still reading it and hopefully enjoying it. Google's "possible explanations" for this are both correct, as I did update the page last month and the topic of the Winter Solstice was probably trending across the web as we slipped into the new season.

I do glance at my websites' analytics occasionally. I have ten sites and blogs that I do, so it can't be a very regular thing. I do like to look at the end of the year at each of them to see what has been happening. I also have a half dozen clients that I do websites for and they are always interested in their stats.

What did I learn this year about this blog and its main website at /poetsonline.org? One big takeaway is that people are more likely to find this blog than find the website. In fact, people tend to find the monthly writing prompt on this blog rather than on the main website. For that reason, I have tried to make the blog version of the prompts a bit more expansive - more examples, images, links.

One issue that came up with the website this year is that since Google has demoted "insecure" websites that still have an http at the front of their address rather than an https, ("s" for "secure") some people can't access the website anymore. I could make the website be S secure but that costs money and since Poets Online is a non-profit that actually loses money each year, I don't really want to lose more money.

There is no business plan for Poets Online. I had always hoped that if people clicked on any of the Amazon book links on this blog or on the website when they shopped that those pennies would add up to enough to cover web costs - but that has never happened. Still, it would be great if you did use the Poets Online link to shop at Amazon.com for books or anything. It doesn't cost you anything extra and a very small percent is passed on to us.

Poets should not be seduced by statistics. It's nice to know that people are reading your poems or buying your books but if number s and dollars are your intention in being a poet, you're in the wrong vocation.




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The Cento

street wall collage   -   Photo:PxHere The cento is a poetry form that I used with students but that I haven't used myself o...