14 Apr 2018

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13 Apr 2018

Stories in Verse

Marilyn Nelson has an impressive body of children’s and adult poetry and other books. I had read her book of poems The Fields of Praise: New and Selected Poems  but I more recently found her book, How I Discovered Poetry which is written for a younger audience.

How I Discovered Poetry is not a book about poetry or a how-to about discovering poetry as the title might suggest. It a fictionalized memoir in verse. The book includes line-and-shade illustrations and Nelson’s family photos.

Nelson says that the "I' in the book is not her, but it is certainly based on her experiences from ages 4 to 14 as her family moved and lived on numerous military base homes in the 1950s.

She calls it the “portrait of an artist as a young American Negro girl.” It is comprised of fifty autobiographically-inspired sonnets without rhyme which are are part research, part life experience, and part imagination.

The book's title comes from a poem near the end of the book and is perhaps not the warm story we might expect about discovering poetry.


Nelson may be better known for her book A Wreath for Emmett Till.  Back in 1955, it was news that Emmett Louis Till, a fourteen-year-old African American boy, was lynched for supposedly whistling at a white woman in Mississippi.

It was a brutal murder. His mother had an open-casket funeral to let the world see what had happened to him.

The acquittal of the men tried for the crime was a big media story at that time.

His story became one of the triggering events in the civil rights movement of the late 1950s and 1960s. Nelson writes that "I was nine years old when Emmett Till was lynched in 1955. His name and history have been a part of most of my life."

In this book, meant for a high school reader, Nelson uses another heroic crown of sonnets. This is a sequence in which the last line of one poem becomes the first line of the next. She says that she used this form because it " became a kind of insulation, a way of protecting myself from the intense pain of the subject matter." 


                     











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9 Apr 2018

Prompt: Hopper and Poetry

I have been a longtime admirer of the haiga which combines haiku poems, calligraphy and painting. Haiga (俳画, haikai drawing) is a style of Japanese painting that incorporates the aesthetics of haikai.

They were typically painted by haiku poets (haijin), and are often accompanied by a haiku poem.

The paintings, like the poetic form it accompanied, were simple observations of the everyday world.

Poets have frequently been inspired by art - paintings, sculpture and other forms. The name of this kind of poetry is ekphrasis.

Ekphrasis means "description” in Greek and older ekphrastic poems tend to focus on sometimes elaborate descriptions of the art. An example of this is Keat's “Ode on a Grecian Urn.” John Keats does go beyond description in his speculation on the identity of the lovers who appear to dance and play music on that urn.


GasHopper.jpg
Gas by Edward Hopper - https://www.moma.org/collection/works/80000?locale=en
http://www.wikiart.org/en/edward-hopper/gas, Public Domain, Link



For our April writing prompt, we set two restrictions on your poem. First, we are interested in poems that go beyond description. Be a poet who interprets, inhabits, confronts, speaks to and reflects on the “action” of a painting and amplifies or expands its meaning.

Our second parameter is that you use a painting or drawing by American artist Edward Hopper. He is one of the most popular of modern American artists and some of his paintings have been widely used, reproduced, even parodied.

Hopper art is easy to find online. I suggest taking a look at wikiart.org's collection of almost 200 of his works. You'll see his very famous Sunday Morning and Nighthawks but I suggest you might choose one of his lesser known paintings or drawings.

His painting Gas (shown here) suggests so many stories: Where is that Mobil station? How different was a gas station in that time? Who is that man - owner, worker? What mood does the poem suggest? Who just left the station after filling up?

You might also look at his paintings grouped together by themes or motifs that inhabit his work, such as couples or windows.

You will not be the first poets to use Hopper. There are two poems I will post on our website for this prompt.

One is "Edward Hopper Study: Hotel Room" by Victoria Chang, excerpted here.

While the man is away 
telling his wife 
about the red-corseted woman, 
the woman waits 
on the queen-sized bed...

...That is all 
the artist left us with, 
knowing we would turn 
the woman's stone into ours, 
a thirst for the self 
in everything—even 
in the sweet chinks 
of mandarin.



The second model poem is "Edward Hopper and the House by the Railroad (1925)" by Edward Hirsch. Here is an excerpt:

Out here in the exact middle of the day,
This strange, gawky house has the expression
Of someone being stared at, someone holding
His breath underwater, hushed and expectant...

Now the stranger returns to this place daily
Until the house begins to suspect
That the man, too, is desolate, desolate
And even ashamed. Soon the house starts

To stare frankly at the man...




Submission Deadline: April 30, 2018


​Some additional sources you may want to consult about poets reacting to art.





          




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8 Apr 2018

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2 Apr 2018

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1 Apr 2018

Happy National Poetry Month


T.S. Eliot wrote that "April is the cruelest month," but April is National Poetry Month in the U.S., the largest literary celebration in the world, created by the Academy of American Poets.

The Academy has many events and programs and many organizations and schools host events. There are always more poetry reading this month than usual. You might find an event near you at poets.org/poetsorg/poetry-near-you

Throughout the month of April, you will find posts tagged #nationalpoetrymonth.

One easy thing to do is to sign up for the Academy's Poem-a-Day to receive poems specially curated by U.S. Poet Laureate Tracy K. Smith for National Poetry Month.

And April 26 is "Poem in Your Pocket Day," a day to select a poem to carry with you and share it with others at schools, bookstores, libraries, parks, workplaces, street corners, and on social media using the hashtag #pocketpoem. 


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30 Mar 2018

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The Cento

street wall collage   -   Photo:PxHere The cento is a poetry form that I used with students but that I haven't used myself o...